With reference to Plejadisch-Plejarische Kontaktberichte, Gespräche, Block 8 (2005) Page 11 to 13 Contact 263 Friday 8th of Mai 1998, 21.50 h. My translation above the German original:
Billy
Florena – I am a little bit surprised. I did not think that you would visit me here in the living room, but rather that you expected me outdoors. Do you not you think that it is a little bit risky, because in the kitchen there are several group members who can come in here at any time. But nevertheless, be very welcome and greeted. I am glad that you have found time to come here. I have tried to reach you for several days.
Florena
1. Hello, Eduard.
2. Yes, unfortunately, I was absent, which is why you could not reach me.
3. I also understand that you wanted to speak to me right away, because if I am not mistaken, you have called me because you wanted to ask about the circumstances of a photograph taken by Edith Beldi – or am I mistaken?
Billy
No, by no means, because that is precisely why I wanted to talk to you. Edith showed me her holiday photos from Ticino and from Italy. While doing so, I immediately noticed an object in the sky on a photo which looked like a Pleiadian/Plejaren beam ship. That was also then confirmed looking at it with the magnifying glass. When I showed it to Edith and she looked at it, she was utterly amazed and explained that she had not seen anything while photographing. I found it understandable, because she observed of course her relatives and friends while taking the photograph. When Edith took the photo, it should have been about 16.30 hrs. The place was Luino in Italy, and the date the 22nd of April, 1998 – a Wednesday.
Florena
4. That is accurate.
5. However, the time was exactly 16.29 hrs as Edith pressed the release button on the camera.
6. Now, you have told me that Edith was on vacation in Ticino for a few days, to which I thought that I once could follow her there and make my craft visible to her – with Ptaah’s approval of course, whom I asked for permission, because after all, as a rule, it is not allowed for us, for reasons of the Directives, to show ourselves and to let our crafts become visible.
7. So I spent some hours at Edith’s travel destinations in order to let her see my craft, which is why I occasionally opened up a vision field for her towards me.
8. But, unfortunately, she always looked somewhere else, just not in my direction and thus not skywards.
9. I did not want to give any impulses to her because otherwise she would have drawn the attention to her relatives and friends who would not have been able to see anything of course, because I had opened up the view to my aircraft towards her eyes only.
10. Therefore, if she had said something to her companion, then she would have been accused of falsehood and fantasy and maybe even worse things for sure, thus for these reasons I refrained from drawing Edith’s attention to myself by impulses.
11. Hence, in this sequence, I tried to appear simply at a suitable moment in the view field of Edith’s camera just as she once again exposed the film.
12. This is how it happened that my aircraft was photographed by her.
Billy
Pretty much like that is also what we have imagined it. Really big thanks for your efforts. It really means a lot for us that another group member than myself are able to take a photograph of one of your beam ships during broad daylight, what actually, with two exceptions, only has been reserved for me up to now. – For Me it was virtually without doubt that it had to involve your beam ship, since you after all you are the only one who flies such a craft. Your associates have other ships designs which cannot be mistaken for yours.
Florena
13. That is correct, as well as the fact that in previous years only Guido Moosbrugger as well as Hans Schutzbach were allowed to take pictures of our crafts.
14. But both of them could only take night images, therefore only the light appearances could be captured.
(See: Plejadisch-Plejarische Kontaktberichte, conversations, block 2 (2003) 50’th contact Sunday, 6th of April, 1976, Page 122)
15. Moreover, Hans Schutzbach also received permission to be allowed to capture Semjase’s and Quetzal’s craft on film during the day, however, he failed miserably I must say, because when he saw both the crafts fly away, he was so excited and was shaking, that he did not succeed in getting a picture, as Semjase and Quetzal told to me.
Billy
That is true. – He always used grand words, However, when it came to the crunch, he failed. To imagine or to dream about something is not the same thing as if one suddenly is being faced with the imaginations and dreams in real.
Florena
16. Also that corresponds with the truth.
17. But now, my dear friend, it is time again for me to go.
18. Goodbye, and please greet Edith as well as Eva and of course all the others as well.
Billy
I will gladly do that, and please also give my greetings to your companions.
Florena
19. I shall do that.
20. But now indeed – goodbye.
Billy
Till next time. – Goodbye and really big thanks for your visit and for your explanations.
German Original:
Unter Bezugnahme auf Plejadisch-Plejarische Kontaktberichte, Gespräche, Block 8 (2005) Seite 11 bis 13 Zweihundertdreiundsechzigster Kontakt Freitag, 8. Mai 1998, 21.50 h.:
Billy
Florena – ich bin etwas überrascht. Ich dachte nicht, dass du mich hier in der Wohnstube besuchst, sondern dass du mich im Freien erwartest. Meinst du nicht, dass das etwas gefährlich ist, denn in der Küche sind verschiedene Gruppemitglieder, die jederzeit hier reinkommen können. Sei aber trotzdem herzlich willkommen und gegrüsst. Es freut mich, dass du Zeit gefunden hast herzukommen. Ich habe mehrere Tage versucht, dich zu erreichen.
Florena
1. Grüss dich, Eduard.
2. Ja, ich war leider abwesend, weshalb du mich nicht erreichen konntest.
3. Ich verstehe auch, dass du mich schnell sprechen wolltest, denn wenn ich nicht irre, hast du mich deshalb gerufen, weil du mich nach den Umständen einer von Edith Beldi gemachten Photographie fragen willst – oder irre ich mich?
Billy
Nein, keineswegs, denn genau darum wollte ich mit dir reden. Edith zeigte mir ihre Urlaubsbilder vom Tessin und von Italien. Dabei bemerkte ich auf einem Photo sofort ein Objekt am Himmel, das wie ein plejadisch-plejarisches Strahlschiff wirkte. Mit dem Vergrösserungsglas betrachtet bestätigte sich das dann auch. Als ich es Edith zeigte und sie es betrachtete, war sie bass erstaunt und erklärte, dass sie beim Photographieren nichts gesehen habe. Verständlich fand ich, denn sie sie beobachtete während des Photographierens natürlich ihre Verwandten und Bekannten. Als Edith das Photo machte, soll es etwa 16.30 h gewesen sein. Der Ort war Luino in Italien, und das Datum der 22. April 1998 – ein Mittwoch.
Florena
4. Das entspricht der Richtigkeit.
5. Der Zeitpunkt war allerdings genau 16.29 h, als Edith den Auslöser der Kamera betätigte.-
6. Nun, du hast mir ja erzählt, dass Edith für einige Tage im Tessin urlaub machte, wozu ich dachte, dass ich ihr einmal dorthin folgen und ihr mein Fluggerät sichtbar Machen könnte – mit Ptaahs Einwilligung natürlich, den ich um Erlaubnis fragte, da es uns ja in der Regel nicht erlaubt ist, aus direktiven Gründen uns offen zu zeigen und unsere Fluggeräte sichtbar werden zu lassen.
7. Also verbrachte ich am Ediths Reiseorten einige Stunden damit, sie mein Fluggerät sehen zu lassen, weshalb ich verschiedentlich für sie ein Blickfeld zu mir hin öffnete.
8. Leider jedoch schaute sie stets irgendwo anders hin, nur nicht in meine Richtung und also nicht himmelwärts.
9. Irgendwelche Impulse wollte ich ihr nicht geben, weil sie sonst ihre Verwandten und Bekannten aufmerksam gemacht hätte, die natürlich nicht hätten sehen können, weil ich die Sicht auf mein Fluggerät nur auf ihre Augen hin freigemacht hatte.
10. Hätte sie also ihrer Begleitung etwas gesagt, dann hätte man ihr sicherlich Irrigkeit und Phantasterei und vielleicht gar schlimmere Dinge vorgeworfen, also verzichtete ich aus diesen Gründen darauf, Edith durch Impulse auf mich aufmerksam zu Machen.
11. In dieser Folge bemühte ich mich daher, einfach in einem geeigneten Augenblick im Sichtfeld von Ediths Kamera zu erscheinen, als sie gerade wieder einmal den Film belichtete.
12. So geschah es, dass mein Fluggerät von ihr photographiert wurde.
Billy
In etwa so haben wir uns das auch vorgestellt. Recht lieben Dank für deine Bemühungen. Es bedeutet für uns wirklich allerhand, dass ein anderes Gruppenmitglied als ich einmal am helllichten Tage eines eurer Strahlschiffe photographieren durfte, was eigentlich mit zwei Ausnahmen bisher nur mir vorbehalten war. – Fur mich selbst war so gut wie zweifellos, dass es sich um dein Strahlschiff handeln musste, da du ja die einzige bist, die ein solches Gerät fliegt. Deine Mitarbeiter haben ja andere Schiffsmodelle, die nicht mit deinem verwechselt werden können.
Florena
13. Das ist richtig, wie auch die Tatsache, dass zu früheren Jahren nur Guido Moosbrugger sowie Hans Schutzbach Bilder von unseren Fluggeräten machen durften.
14. Die beiden konnten jedoch nur Nachtaufnahmen Machen, folglich nur die Lichterscheinungen festgehalten werden konnten.
(Siehe: Plejadisch-Plejarische Kontaktberichte, Gespräche, Block 2 (2003) 50. Kontakt Sonntag, 6. April 1976, seite 122)
15. Hans Schutzbach erhielt zudem noch die Erlaubnis, Semjases und Quetzals Fluggeräte am Tag auf Film festhalten zu dürfen, doch versagte er kläglich, wie ich sagen muss, denn als er die beiden Fluggeräte wegfliegen sah, da war er derart aufgeregt und zitterte, dass ihm kein Bild gelang, wie mir Semjase und Quetzal berichteten.
Billy
Das ist wahr. – Er machte immer nur grosse Worte, doch wenn es dann darauf ankam, dann versagte er. Sich etwas vorstellen oder erträumen ist eben etwas anderes, als wenn man plötzlich mit den Vorstellungen und Träumen real konfrontiert wird.
Florena
16. Auch das entspricht der Richtigkeit.
17. Nun aber, lieber Freund, ist es wieder Zeit für mich zu gehen.
18. Auf Wiedersehen, und grüsse bitte Edith sowie Eva und natürlich alle andern auch.
Billy
Werde ich gerne tun, und bitte entrichte auch deinen Kameraden meine Grüsse.
Florena
19. Das werde ich tun
20. Doch nun wirklich – auf Wiedersehn.
Billy
Bis zum nächsten Mal. – Auf Wiedersehn und recht lieben Dank für deinen Besuch und für deine Erklärungen.
About the extra-terrestrial Florena
There are no official drawings or photograph of Florena.
In the German Contact Notes she first appears in contact 253 held on the 1st of November 1995. She then presented herself as Florena being 161 years old, but still looking young due to their high life span. She learned the German language 6 months earlier for the purpose of filling in for Ptaah who was spending time in the DAL universe, a parallel universe to ours, occupying himself with technical innovation. She then appears in the contact notes for several more years dealing with different issues. For example, told Billy they were the ones who employed the large telemeter disc, a remotely controlled highly sensitive extra-terrestrial recording and surveillance device, which followed Hans-Georg Lanzendorfer’s car on the 4th of February 2001, as he drove off from Semjase Silver Star Center.
About the photograph
As a rule, all the Pleiadian and federation member crafts fly with an optical shield activated which makes them invisible. But exceptions can obviously be made as in this case where Florena sought permission from Ptaah to make her ship visible for photographic purpose. The reason why this request went to Ptaah was because he is the commander for all Pleiadian and federation members stationed in our solar system according to the German Contact notes.
But it says here that limitations were still in place as to who could see the ship and who could not, as only a sector of the optical shield was opened up for visibility. That sector was tiny as it only covered Edith’s location, meaning only she and her camera got vision towards the ship, but not her friends.
This is something that has been demonstrated before. Sector shielding is mentioned in the early years, in the very first contacts where several demonstrations flights were carried out by Semjase for photo and film purposes. Sector shielding was also utilized when Freddy Kropf took the night time photographs of a Pleiadian beam ship when he was photographing the full moon over Semjase Silver Star Center.
Freddy had no tripod that night so instead he pressed the camera on to the rear window of his car and aimed the lens towards the full moon. He was not able to look through the viewfinder eyepiece, but had to pay attention to the camera and hold it steady and firm with both hands so that he would not get a shaky picture. He then pressed the shutter-release button and took four photographs in the space of about 18 seconds.
Since the camera had automatic exposure, it was automatically set to four seconds at aperture f/4. It was first after the images had been developed that he saw a bright luminous UFO was visible on all four photographs of the full moon. On one photo, the UFO was above the moon, on two of them just under the moon and on the fourth it was to the lower left of the moon. In terms of size, the full moon could be placed about five times within the object, which looked like a sun.
The reason why he could not see it , was that the V-shaped visibility corridor was so sharply adjusted that it ended at the camera lens. Thus Freddy standing next to his camera could not see the craft, as he was standing outside the visibility corridor. This was done intentionally by the crafts extra-terrestrial pilot to demonstrate how accurate they are able to apply the sector shielding. See Pleiadian spacecrafts .
Which brings up another question; since sector shielding was used to make the craft invisible to others, then why was not the craft positioned closer to Edith so that she could take an even more detailed photograph of it?
Reason for that is not given in this contact, but elsewhere in the German contact notes, related to another occasion. Namely according to their policy, Billy Meier was to be offered the best evidence, meaning the most detailed, close up and clearest photographs etc. since he is their only contact person and thus only he is the one delivering their material.
On this basis a core group member would only be offered less quality evidence, meaning on those occasions they decided to give a core group member the opportunity to take photographs, the craft would be positioned further away compared to the distance at which Billy Meier took his photographs.
The craft
Billy recognized that this craft had a different shape. That because they utilize a large range of different crafts. In a contact two years later, contact 287 10 July 2000, Billy is being told that the number of different crafts used on Earth that year, by the Pleiadians and their federation members, amounted to 76 different types. So in this number there is a mixture of crafts where some are belonging to the Pleiadians and some are belonging to their federation members.
